Chasing Aphrodite
Jul. 29th, 2011 08:58 amOk, since LJ seems to be back, let's try to celebrate with a long post that's been waiting on my computer for a bit. Sure, I know that most of you would rather celebrate with chocolate and booze, but this is what I have.
EditOk, LJ is NOT back. Not only is this not crossposting but when I tried to manually post this in LJ I kept getting an internal service error. THUNK. THUNK. Damn you, DDOS attack, go away. What did I ever do to you???
Chasing Aphrodite: the Hunt for Looted Antiquities at the World's Richest Museum, Jason Felch and Ralph Frammolino
Art museums generally fascinate me. Not just the collection of beauty, but the why behind it, with the explicit attempts of some modern art museums to stretch the definition of what most of us would call art and many of us would call seriously ugly, to the less explicit political agendas behind many museums and displays.
This is particularly true at some of the world's great art museums, all of which were formed with the ostensible purpose of showcasing beauty and the development of art, but many of which also had the political purpose of showcasing just how great and wealthy the museum's host country was – the Lourve, in particular, had a theme for awhile that "all great art leads to France," (considerably softened these days), while the British Museum showcased, in the great phrase of someone else, "the spoils of empire," and the Metropolitan Museum of Art showcased "the spoils of money."
( Cut for a lengthy discussion of the Getty Museum, classical art, Roman plunder, sexism and tax fraud. )
EditOk, LJ is NOT back. Not only is this not crossposting but when I tried to manually post this in LJ I kept getting an internal service error. THUNK. THUNK. Damn you, DDOS attack, go away. What did I ever do to you???
Chasing Aphrodite: the Hunt for Looted Antiquities at the World's Richest Museum, Jason Felch and Ralph Frammolino
Art museums generally fascinate me. Not just the collection of beauty, but the why behind it, with the explicit attempts of some modern art museums to stretch the definition of what most of us would call art and many of us would call seriously ugly, to the less explicit political agendas behind many museums and displays.
This is particularly true at some of the world's great art museums, all of which were formed with the ostensible purpose of showcasing beauty and the development of art, but many of which also had the political purpose of showcasing just how great and wealthy the museum's host country was – the Lourve, in particular, had a theme for awhile that "all great art leads to France," (considerably softened these days), while the British Museum showcased, in the great phrase of someone else, "the spoils of empire," and the Metropolitan Museum of Art showcased "the spoils of money."
( Cut for a lengthy discussion of the Getty Museum, classical art, Roman plunder, sexism and tax fraud. )