Speaking of April, and more specifically April First, Unlikely Story has just published The Journal of Unlikely Story Acceptances, which I am linking to here only because one of the stories, "Whinny If You Love Me," by Andrew Kaye has a vampire pegasus, which is the sort of thing the world needs more of, although it needs more of this in better written stories.
On a completely different note: last night, CBS aired the final episode of How I Met Your Mother...
...and it's safe to say Twitter exploded. (Apparently Tumblr exploded as well, but Tumblr terrifies me so I'm just going to have to take other people's word on that.)
I don't really watch the show (I think I've seen about three or four episodes), and I didn't watch the finale, so I can't comment on the actual finale. But I was intrigued enough by the explosion to seek out a few reviews of the finale to see what, exactly, people were yelling about - and in the process found some very interesting comments about the writing process, for novels or television.
Probably the most interesting reaction was from Alan Sepinwall, over at Hitfix. The good stuff is on page two. There's also this.
The takeaway lesson here is that sometimes, you have to let your original plans go (are you listening, Arrow writers?). Friends did that, to wild success; its finale wasn't perfect and was certainly widely criticized, but nothing to this extent. Same with Cheers and several other great comedies and dramas through the year.
It's a hard lesson to learn. Like many writers I do often write the end before I write the middle, or in some cases even the beginning, and sometimes it's very hard to let that ending go because I'm so incredibly proud of it or tied to it. I'm having to do that just now with a story, where the ending was one of the earlier things I wrote. It worked beautifully with how the story was at that point; it doesn't seem to be working now. So I think I have to let it go, even though the very thought is making my fingers itch.
I meant to connect this thought with something about vampire pegasi, but I think that's another thought I'm going to have to let go of.
On a completely different note: last night, CBS aired the final episode of How I Met Your Mother...
...and it's safe to say Twitter exploded. (Apparently Tumblr exploded as well, but Tumblr terrifies me so I'm just going to have to take other people's word on that.)
I don't really watch the show (I think I've seen about three or four episodes), and I didn't watch the finale, so I can't comment on the actual finale. But I was intrigued enough by the explosion to seek out a few reviews of the finale to see what, exactly, people were yelling about - and in the process found some very interesting comments about the writing process, for novels or television.
Probably the most interesting reaction was from Alan Sepinwall, over at Hitfix. The good stuff is on page two. There's also this.
The takeaway lesson here is that sometimes, you have to let your original plans go (are you listening, Arrow writers?). Friends did that, to wild success; its finale wasn't perfect and was certainly widely criticized, but nothing to this extent. Same with Cheers and several other great comedies and dramas through the year.
It's a hard lesson to learn. Like many writers I do often write the end before I write the middle, or in some cases even the beginning, and sometimes it's very hard to let that ending go because I'm so incredibly proud of it or tied to it. I'm having to do that just now with a story, where the ending was one of the earlier things I wrote. It worked beautifully with how the story was at that point; it doesn't seem to be working now. So I think I have to let it go, even though the very thought is making my fingers itch.
I meant to connect this thought with something about vampire pegasi, but I think that's another thought I'm going to have to let go of.