Loncon 3 schedule
Jul. 30th, 2014 07:40 pmIt's been brought to my attention that I haven't posted my official Loncon 3 schedule. This is true, mostly because for the most part I was trying to AVOID having an official Loncon 3 schedule. That flopped, if, I'm pleased to say, not too badly. So, the official Loncon3 schedule, in between arriving at some point Wednesday and leaving at some point Monday:
Chivalrous Critics of Fannish Dimensions
Saturday 20:00 - 21:00, Capital Suite 16 (ExCeL)
What makes a good epic fantasy? Does quality of prose matter, or is insisting on literary rigor killjoy and elitist? Is it possible to 'overthink' your experience of reading epic fantasy - or is it patronising to the sub-genre to suggest it should be given an easier ride than other types of writing? What are some of the primary critiques of epic fantasy and how can they be used to improve the genre moving forward?
Myke Cole (M), Liz Bourke, Nic Clarke, Justin Landon, Mari Ness
(I am tempted to show up with some sort of mash-up of The Belgariad and Finnegan's Wake, but perhaps not. I mean, to do that, I'd have to look at Finnegan's Wake again.)
I'm also on as an emergency back up add her to the panel thing, so it's possible this might get extended. I will also probably be making some sort of appearance at one or all the following: the Friday night SFWA reception (given the nature of these sorts of things, the chances that I will be lingering at this event are slim, slim indeed); the Saturday morning 10 am 12 am Strange Horizons Brunch, Fan Village, Tent A; one or more of Strolling with the Stars, assuming accessibility isn't an issue (I'll be Rolling with the Stars, but I feel that counts); and the, or at least a bar during the Hugos, to place large imaginary bets on the Hugos.
Also, my hotel room, for multiple naps.
Chivalrous Critics of Fannish Dimensions
Saturday 20:00 - 21:00, Capital Suite 16 (ExCeL)
What makes a good epic fantasy? Does quality of prose matter, or is insisting on literary rigor killjoy and elitist? Is it possible to 'overthink' your experience of reading epic fantasy - or is it patronising to the sub-genre to suggest it should be given an easier ride than other types of writing? What are some of the primary critiques of epic fantasy and how can they be used to improve the genre moving forward?
Myke Cole (M), Liz Bourke, Nic Clarke, Justin Landon, Mari Ness
(I am tempted to show up with some sort of mash-up of The Belgariad and Finnegan's Wake, but perhaps not. I mean, to do that, I'd have to look at Finnegan's Wake again.)
I'm also on as an emergency back up add her to the panel thing, so it's possible this might get extended. I will also probably be making some sort of appearance at one or all the following: the Friday night SFWA reception (given the nature of these sorts of things, the chances that I will be lingering at this event are slim, slim indeed); the Saturday morning 10 am 12 am Strange Horizons Brunch, Fan Village, Tent A; one or more of Strolling with the Stars, assuming accessibility isn't an issue (I'll be Rolling with the Stars, but I feel that counts); and the, or at least a bar during the Hugos, to place large imaginary bets on the Hugos.
Also, my hotel room, for multiple naps.