Demands

Jan. 1st, 2015 09:54 am
Just as 2014 was about to explode into 2015, the poetry goblins over at Goblin Fruit released one last treat for the old year: their new issue, which includes my poem, Demands, and new poems from Rose Lemberg, Sonja Taaffe, Ada Hoffman and Neile Graham, among others.

"Demands" came about because of a previous poem, Snowmelt (also reprinted at Tor.com here) which somehow seemed to need more. By more, my muse apparently meant "two more chain poems," this one, and Feather. They don't need to be read in any particular order.

Enjoy, and Happy New Year!

Feather

Nov. 12th, 2014 10:42 am
I have, on occasion, been accused of having a certain - what's the word? - obsession with structured poetry.

This will only add weight to the fire, I'm afraid.

#

In other news, I am back from WFC 2014, but very tired and more than a bit dizzy, conditions that do not do much for my control of commas and other punctuation, so any blogging on the event itself must wait a bit.
Two bits of news:

1. As part of their celebration of National Poetry Month, Tor.com has reprinted Snowmelt. I still love this poem.

2. I've picked up the bifocals. I fear these are not going to work out. What neither the eye doctor nor I considered is that since moving my head can induce dizziness or vertigo, I've been instinctively doing less of that over the past four years, moving my eyes instead -- which with the bifocals induces dizziness and vertigo. You can see the problem. I will keep trying for a few more days, but I fear I'm about to head back and just get the regular prescription and carry reading glasses around.

The sunglasses, though, are excellent.

In related news I am developing an extremely bad headache, so, later.
1. So while I was mostly out of it over the last few days, the goblins released the latest issue of Goblin Fruit, which contains my little poem Reversals But that's not important. What's actually important is that, as a special gift to me, the editors INCLUDED VILLANELLES. IN THE PLURAL. Here is C.S.E. Cooney's It Only Takes a Cauldron and a Dash of Thyme, AND ONE WITH A HURRICANE, Melissa Frederick's Hurricane Ophelia (no, really!). The issue has some other remarkable pieces in it as well, so go read it already.

(Mind you, I also sense that this means C.S.E. Cooney is about to outclass all of us again at the next poetry reading, but she just does that sort of thing.)

2. Also while I was out of it Freddy the Pig reread trotted on with chatter about Freddy the Cowboy. I think the next Heyer post should be up tomorrow -- there's been some hiccups in that process, mostly involving me, but I'm hoping we'll be back on an iffy schedule for that one soon.

3. Finally, not about me, but I'm very pleased to announce that the Kickstarter for Clockwork Phoenix 4 managed to get fully funded. Which means that the goals just got a little loftier. If it gets just a bit more money -- say, hitting the $8000 mark -- editor Mike Allen will be able to pay professional rates. So, if you were considering this (and bear in mind that backers get ebooks and particularly generous backers get ebooks AND JEWELRY), consider harder!

(Course, this means I should probably think of actually writing something for this anthology, Hmm. Hmm. Hmm.)

Highway

Apr. 26th, 2011 02:51 pm
This next poem was not a success, which is why I never submitted it anywhere. But what's interesting is why. As I've noted, I have a decided love for – some might almost call it an obsession with – structured poetry. I wanted to master every form, including the various forms of the sonnet, and one form I hadn't played with was the Petrarchan sonnet, and so, when the first two lines of this poem came into my mind, I decided to try to write one.

Disaster. Well, not quite disaster – I think a few lines of this are ok – but overall, the poem feels forced to me: forced rhymes (and a couple of rhymes that are just absurd), forced meter, forced images. And part of the problem was that aside from the first couple of lines, I really didn't have a point.

It was a good writing lesson: technique and structure can only do so much for you. Which is why I include it here. And I haven't quite given up hope on mastering the form.

Cut for a couple of ridiculous rhymes. )
More National Poetry Month.

*************

Like many people, I had a crazy – genuinely crazy – great aunt, and like many of these aunts, she had a story.

She was not actually my great aunt, but my great great aunt, my great grandmother's sister, who at some point in the 1920s had coolly announced, without any notice whatsoever, that she was heading off to be a missionary in China. According to family legend this went badly, with no one understanding or supporting either the missionary or the China part. My grandmother thought that it might have been to exorcise some guilt over the death of another sister, who had died at the age of ten, or perhaps to step out from under the shadow of more talented brothers and sisters. I don't know. In any case, off to China she went, there to work at a mission and pick up a set of china, which happens to be in the house now. It looks to me like pretty cheap stuff, mass produced in the 1930s, but the family took great pride in it – "This china is real China –" and I'm hoping to have it out and cleaned up for occasional tea use by the end of the year because it looks pretty cool and colorful and the tea cups are the delightfully correct size.

Anyway. Things apparently went well enough until the Japanese invasion, where things went haywire. Various family accounts survive, with the general consensus that everyone begged the aunt to leave, like, now. Helen did not leave, not quite yet. Family legend disagrees about why – aunt Ruth, who was in no position to actually know, said that Helen had already lost her mind, and the other aunt Ruth*, also in no position to actually know, said that Helen was completely sane, just hated the rest of the family and didn't want to see them.

But she did flee the communists when they arrived to her part of China, and ended up fleeing China and trying to return back to the United States in the middle of World War II, in about the worst possible time to attempt to cross the Pacific. According to one story, she didn't actually try to cross the Pacific – instead, she went the other way around, across the Indian Ocean and around the edge of Africa and across the Atlantic which honestly could not have been much easier.

Whichever route she took, at some point, she and her shipmates saw a ship burning on the ocean. She told my mother this, saying it was one of the things she most remembered about the war. My mother told me, and the story lingered in my mind.

Once permanently back in the States – she did want to return, but encountered problems with communists – she did lose her mind completely to a seeming combination of dementia and paranoid schizophrenia. She spent the last years of her life convinced that the communists were stalking South Florida in search of her and trying to kill her, and alarmed various people by suddenly shouting "COMMUNIST" or accusing various people of being Chinese spies, and on a few exciting occasions mistaking Cuban exiles for Chinese Communists, which went very badly indeed. She was eventually institutionalized in Dania, in a place that, she told my grandmother, harbored Chinese spies everywhere (no one else appears to agree.) I apparently met her from time to time – we have photos – but despite these stories, she seems to have made no impression upon me whatsoever; I remember her sister, but not her, even though the pictures show all three of us, with me looking sulky and miserable.

Eventually this all simmered into a poem. I was never entirely satisfied with it, but I did send it out, and it was actually accepted for publication at two different journals who both folded before publication (the story of much of my writing career), at which point I decided that it was kinda cursed and withdrew it from circulation, although I've shared it with friends here and there.

Villanelle alert! )
(partly in case you missed yesterday's posting thanks to the holiday)

Snowmelt is a chain poem, consisting of fourteen different poems that continue to get more and more complex, culminating in a sonnet. This is the fourth chain poem I've completed. Each time, I find myself wanting to free up the form just a little bit more.

For the curious, poem one is a compliment, or introduction to the poem; poem two is a couplet; poem three a triad; poem four a quatrain; poem five a mirror poem; poem six a triat, or sextet; poem seven a variation on a septet; poem eight a triolet (maddeningly fun poems to write); poem nine a novet; poem ten a rondeau; poem eleven an eleven line poem; poem twelve a pantoum (another maddening mirror poem type); poem thirteen a variation on the rondel; and poem fourteen a sonnet.

Chain poems start off easily enough. It's generally around poem seven and eight that things get...more tricky, especially if you are trying to tell a tale. From poem eight on, things get tricky enough that the sonnet actually comes as a relief, although I am not, as a rule, overly fond of sonnets, or of writing them.

Until this poem, I had generally written chain poems in response to writing challenges, or as a writing exercise, filling in the lines the way I might fill out a crossword puzzle. This was a bit different: the first line sprang to mind, along with an image of flying crows, and suddenly it occurred to me to weave those images into a structured form of this type. To my astonishment, this poem flowed, right from the beginning (with the slight exception of poem 6, which needed some rewriting).

It's a lesson, I guess, in poetic structure: the stronger the image or the meaning, the easier the structure, no matter how confining it might seem at first.

Snowmelt

Jan. 17th, 2011 09:05 am
Every once in a great while, I write a poem that entirely satisfies me.

More about this poem later, but while you're there, do take a moment to check out the rest of the issue, which as always is breathtakingly beautiful, and includes work by [profile] cristalia, [profile] rose_lemberg, Neile Graham, Michelle Muenzler and others.
The goblins have completed their preparations for winter revels, which includes my little poem, Transformation. Lots of other delights in this most recent issue of Goblin Fruit. Enjoy!
I'm very pleased to announce that the Fall 2009 issue of Goblin Fruit is up, featuring the work of the talented [personal profile] brigidsblest, along with [personal profile] stillnotbored, [profile] time_shark, [profile] cucumberseed, [personal profile] sovay, [profile] mtentchoff, [profile] hooks_and_books, [profile] shweta_narayan, [profile] amagiclantern, [profile] grayrose76, [personal profile] neile and many more. (Not surprisingly, my friends list and twitter feed exploded with the news before I could.)

Oh, and it features my little poem, Hunger.

Enjoy!
My short story, "Wooden Apologies," is now up at Farrago's Wainscot. Well, less a short story, I suppose, than the retelling of a dream. A small attempt was made to expand it, but that failed, for some dreams resist expansion and explanation. This was one of them.

Much thanks to [profile] deborahb for providing the initial impetus to write this, and to [profile] selfavowedgeek and [profile] darinbradley for letting it shift from a dream to cyberspace, despite, cough, its shortness.

The issue features some other fabulous writers, including World Fantasy Award winner Forrest Aguirre and comic artist Paul Abbamondi, as well as Mike Keith's Nine Views of Mount Fiji, which manages to combine my love for Japanese art prints, structured poetry, word puzzles and unfortunate truths about politicians. I'm so not doing the work justice.

Go, read. It's cloudy here, making this the kind of day best spent by escaping to a land of dreams and poetry and strange tales for at least a short while.

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